The Lion’s Game

© 2001 Dennis Werner

A historical drama

 

Scene 1: Queen Eleanor’s Court of Love, Poitiers, 1168

  • The Bailiff announces the opening of yet another trial in which some offended lady accuses her lover of wrongdoing. This time the lover has engaged in callous thievery by stealing a kiss. The defendant and his lady engage in a bit of medieval dialectic (click for an MP3 of this debate sung by André Franzoni and Claudia Ondrusek). After praising Eleanor’s wise judgment on the case, all depart except Eleanor and her son, Richard. She makes sure he has understood the argumentation, and is progressing well in his intellectual training. Both agree that life is a game and that Richard will play it well.
  • Scene 2: Gisors, 1188

  • Eleanor’s husband, King Henry II of England, and King Philip of France have met on the field to arrange a truce. Knights in jousting outfits comment on how the spring tournaments enable them to impress maidens and to evaluate the strength of potential foes without actual killing, but they complain that Prince Richard prefers going directly to war, murdering, plundering and raping. In another part of the field nuns complain about the plundering of their monasteries and express their doubts about a truce, since Henry’s sons will continue fighting anyway. They hope that the Bishop of Tyre will convince all to engage in a new crusade since this will take the fighting and plundering to another place. The Bishop of Tyre then gives his speech in which he points out the particular (selfish) advantages different groups (knights, government administrators, farmers, priests, mercenaries and kings) will gain from a Holy Crusade.
  • Scene 3: Road to Jerusalem, 1191

  • While plundering the dead on a battlefield, King Richard’s soldiers try to convince King Philip’s troops that they should continue with the crusade. Richard explains that the main goal of warfare is to demonstrate one’s superiority in terms of personal talents, courage, and moral integrity. He argues that he is superior in all of these qualities. The soldiers leave and Richard explains to his sister, Joana, that he must make a truce with Saladin so he can return to Europe and defend his kingdom against King Philip. Joana’s marriage to Saladin’s brother would bring about "peace with honor". Joana indignantly refuses to marry an infidel and questions Richard’s moral values. (Click here to hear this duet sung by Rogério Guilherme and Ondina Berndt.)
  • Scene 4: Chalus, 1199

  • Richard has been shot by a simple archer, and Eleanor rushes to his deathbed. Richard expresses his doubts about whether he has been a good King. Richard, Eleanor and the archer then engage in a debate on what the basis of morality should be. Richard argues for the principle of justice